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"Last Looks at the Lilacs" is a poem from Wallace Stevens's first book of poetry, ''Harmonium''. It was first published in 1923 (in ''Secession'' 4, January〔Cook, p. 52.〕). Robert Buttel compares this poem to "The Plot Against the Giant" as concerning the humorous disparity between gauche male and suave female.〔Buttel, p. 24.〕 Robert A. Wilson makes a surprisingly plausible case (in a single-page article in ''The Wallace Stevens Journal'', complete with an image of the label from a bottle of "Lilac Vegetal" after-shave lotion) for a connection between the poem and Stevens's experience at a barber shop.〔"I would like to posit the theory that the source of these terms and associations stem from Stevens’ getting a haircut. I can recall as a child seeing an astringent called “Lilac Vegetal” on barbers’ shelves. The unusual name of the label always stuck with me, but I never came across the term vegetal again until I read Stevens’ poem. Could he have recalled this label in writing a poem invoking the fragrance of lilacs? Could the “bloom of soap” be a figurative transformation of shaving lather? A most intriguing mystery. Below is a label from one of these bottles." (Wilson, p. 182)〕 Caliper'd reason, measuring everything but appreciating nothing, is contrasted unfavorably with well-booted imagination, as in Whitman's "When Lilacs Last in the Door-yard Bloom'd" or indeed the very poem under discussion. Lilacs can be connected to the fragrance of vegetal or to a cool night's fantastic star, but Stevens favors the latter and the final stanza shows why. Cook reports that "lilacs do not make Stevens happy" and reads the poem as blunt and atypical, comparing it to some of the more strained effects in ''The Comedian as the Letter C''.〔Cook, p. 52.〕 == Notes == 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Last Looks at the Lilacs」の詳細全文を読む スポンサード リンク
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